Organizations are increasingly adopting guidelines ensuring the ethical, secure, and responsible use of artificial intelligence within their organizations. Their policies also include data privacy, bias mitigation, human oversight, and accountability, adapting to legal frameworks like the EU AI Act or Canada's AIDA.
Among some craftsmen and artists, there is a deep-seated resentment of A.I. (or more precisely, simulated intelligence). I get it. It feels like we are riding a horse and don't know where it is going! But A.I. tools are invading our lives whether we like it or not. People rail against them on social media (usually a Meta platform like Facebook, Instagram or WhatsApp) while not stopping to think that Meta itself is the largest investor in this technology. Many feel that this could be the greatest development in the history of man. It will be used for good, likely much more for evil, like so many things we've done as humans. Irresponsible and greedy people and companies have hijacked it and are taking outrageous risks in hopes of unprecedented profit. They are likely to go bankrupt. But we will be left with A.I.
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I am Tony Hansen. I am Digitalfire.com. I am an explainer. I use A.I. as a tool to enhance my work in a measured way. Audiences have decreasing attention spans and are less inclined to understand the whys and hows of their craft or art. A.I. tools are invaluable to meet this challenge. A.I. scrapers, at times, bog down the servers with dozens of requests per second and then use my material to answer questions! So, now I have to worry about AEO instead of SEO. But it is still a tool I need. Over time, I adopted new publishing mediums and technologies as they arrived (e.g. coding, diskettes, desktop publishing, PDFs, CDs, BBSs, MP4s, email, the static web, e-commerce, the data-driven web). For some of these, I faced pushback during their adoption, but I had to press on just to get the work done.
I use A.I. in similar ways to what your doctor, lawyer, insurance agent or car salesman might be doing.
Programming: Modern coding tools are astonishing. They have converted computers into devices that deeply understand English and have coding abilities of a PhD programmer. They are not just plagiarizing code found online. Tools like Codex and Claude Code can scan my code, understand it better than me and spot all manner of issues. They not only recommend the fixes, but can do them for me! They make mistakes, admit it, and backtrack. They learn my style over time and raise alarms when I diverge from it. They accept my way of doing things and help me improve gradually. I pay extra for tools that treat me in a kind and civil manner; it is an absolute delight to work with them. Almost every day, I have to get up from my chair and walk around the room in absolute awe at this! How is this even possible? It is tremendously empowering. I can even program in languages I don't typically use; the code written is simple enough that I can understand it. If I don't, it has endless patience for questions. Nothing in life has prepared me for this. Code is the center of everything in this world now; toasters and space stations have circuit boards that have to be programmed. But like others, I shudder at the thought that evil people also have these tools!
Environmental and Societal Impact: I feel better generating one-time photos than making video for YouTube. Generating a bit image is a computationally intensive task, but it is completed in a matter of seconds. It displays instantly in browsers. However, streaming video requires a constant, high-bandwidth transfer of data and continuous server-side processing for the entire watching time. Then again, for the next person watching it. And the traditional composition pipeline of video is also very carbon-intensive.
When an idea needs to be conveyed, there is no substitute for the right picture: Social posts require pictures. I most often have a picture. But sometimes I either don't, or the one I have is just not as good as can be generated (when I do that, I show the prompt used to make the photo, if I forget I am happy to respond to a reminder). Some of my A.I. generated photos are awaiting replacement as real ones become available and others need to be replaced by generated ones that more clearly convey the idea (often by better focus, upscaling, removal of unwanted detail or background elements, etc.).
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| Glossary |
A.I. in Ceramics
Unbelievable things are happening. Good and bad. A.I. Is polarizing and revolutionizing ceramics. For us at Digitalfire, perhaps the biggest benefit is more enablement of DIY. |
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