Monthly Tech-Tip from Tony Hansen SignUp

No tracking! No ads!

200 mesh | 325 mesh | 3D Design | 3D Modeling | 3D Printer | 3D Printing Clay | 3D Slicer | 3D-Printing | Abrasion Ceramics | Acidic Oxides | Agglomeration | AI in Ceramics | Alkali | Alkaline Earths | All-in-one case mold | Amorphous | Apparent porosity | Artware | Ball milling | Bamboo Glaze | Base Glaze | Base-Coat Dipping Glaze | Basic Oxides | Batch Recipe | Bisque | Bit Image | Black Core | Bleeding of colors | Blender Mixing | Blunging | Body Bloating | Body glaze Interface | Body Warping | Bone China | Borate | Boron Blue | Boron Frit | Borosilicate | Breaking Glaze | Brick Making | Brushing Glaze | Calcination | Calculated Thermal Expansion | Candling | Carbon Burnout | Carbon trap glazes | CAS Numbers | Casting-Jiggering | Catch Glaze | Celadon Glaze | Ceramic | Ceramic Binder | Ceramic Decals | Ceramic Glaze | Ceramic Glaze Defects | Ceramic Ink | Ceramic Material | Ceramic Oxide | Ceramic Slip | Ceramic Stain | Ceramic Tile | Ceramic Transfer | Ceramics | Characterization | Chemical Analysis | Chromaticity | Clay | Clay body | Clay Body Porosity | Clay Stiffness | Clays for Ovens and Heaters | Co-efficient of Thermal Expansion | Code Numbering | Coil pottery | Colloid | Colorant | Commercial hobby brushing glazes | Cone 1 | Cone 5 | Cone 6 | Cone plaque | Copper Red | Cordierite Ceramics | Crackle glaze | Cristobalite | Cristobalite Inversion | Crucible | Crystalline glazes | Crystallization | Cuerda Seca | Cutlery Marking | Decomposition | Deflocculation | Deoxylidration | Differential thermal analysis | Digitalfire API | Digitalfire Foresight | Digitalfire Insight | Digitalfire Insight-Live | Digitalfire Reference Library | Digitalfire Taxonomy | Dimpled glaze | Dip Glazing | Dipping Glaze | Dishwasher Safe | Displacer | Dolomite Matte | Drop-and-Soak Firing | Drying Crack | Drying Performance | Drying Shrinkage | Dunting | Dust Pressing | Earthenware | Efflorescence | Encapsulated Stain | Engobe | Eutectic | Fast Fire Glazes | Fat Glaze | Feldspar Glazes | Fining Agent | Firebrick | Fireclay | Fired Strength | Firing Schedule | Firing Shrinkage | Flameware | Flashing | Flocculation | Fluid Melt Glazes | Flux | Food Safe | Foot Ring | Forming Method | Formula Ratios | Formula Weight | Frit | Fritware | Functional | GHS Safety Data Sheets | Glass vs. Crystalline | Glass-Ceramic Glazes | Glaze Blisters | Glaze Bubbles | Glaze Chemistry | Glaze Compression | Glaze Crawling | Glaze Crazing | Glaze Durability | Glaze fit | Glaze Gelling | Glaze laydown | Glaze Layering | Glaze Mixing | Glaze Recipes | Glaze shivering | Glaze Shrinkage | Glaze thickness | Globally Harmonized Data Sheets | Glossy Glaze | Green Strength | Grog | Gunmetal glaze | High Temperature Glaze | Hot Pressing | Incised decoration | Industrial clay body | Infill and Support | Ink Jet Printing | Inside-only Glazing | Iron Red Glaze | Jasper Ware | Jiggering | Kaki | Kiln Controller | Kiln Firing | Kiln fumes | Kiln venting system | Kiln Wash | Kneading clay | Kovar Metal | Laminations | Leaching | Lead in Ceramic Glazes | Leather hard | Limit Formula | Limit Recipe | Liner Glaze | Liner Glazing | Liquid Bright Colors | LOI | Low Temperature Glaze | Majolica | Marbling | Material Substitution | Matte Glaze | Maturity | Maximum Density | MDT | Mechanism | Medium Temperature Glaze | Melt Fluidity | Melting Temperature | Metal Oxides | Metallic Glazes | Micro Organisms | Microwave Safe | Mineral phase | Mineralogy | Mocha glazes | Mohs Hardness | Mold Natches | Mole% | Monocottura | Mosaic Tile | Mottled | Mullite Crystals | Native Clay | Non Oxide Ceramics | Oil-spot glaze | Once fire glazing | Opacifier | Opacity | Ovenware | Overglaze | Oxidation Firing | | Oxide Interaction | Oxide System | Particle orientation | Particle Size Distribution | Particle Sizes | PCE | Permeability | Phase Diagram | Phase Separation | Physical Testing | Pinholing | Plainsman Clays | Plaster Bat | Plaster table | Plasticine | Plasticity | Plucking | Porcelain | Porcelaineous Stoneware | Pour Glazing | Pour Spout | Powder Processing | Precipitation | Primary Clay | Primitive Firing | Propane | Propeller Mixer | Pugmill | Pyroceramics | Pyrometric Cone | Quartz Inversion | Raku | Reactive Glazes | Reduction Firing | Reduction Speckle | Refiring Ceramics | Refractory | Refractory Ceramic Coatings | Representative Sample | Restaurant Ware | Rheology | Rutile Blue Glazes | Salt firing | Sanitary ware | Sculpture | Secondary Clay | Shino Glazes | Side Rails | Sieve | Sieve Shaker | Silica:Alumina Ratio | Silk screen printing | Sintering | Slaking | Slip Casting | Slip Trailing | Slipware | Slurry | Slurry Processing | Slurry Up | Soaking | Soluble colors | Soluble Salts | Specific gravity | Splitting | Spray Glazing | Stain Medium | Stoneware | Stull Chart | Sulfate Scum | Sulfates | Surface Area | Surface Tension | Suspension | Tapper Clay | Tenmoku | Terra Cotta | Terra Sigilatta | Test Kiln | Theoretical Material | Thermal Conductivity | Thermal shock | Thermocouple | Thixotropy | Throwing | Tony Hansen | Toxicity | Trafficking | Translucency | Transparent Glazes | Triaxial Glaze Blending | Ultimate Particles | Underglaze | Unity Formula | Upwork | Variegation | Viscosity | Vitreous | Vitrification | Volatiles | Water Content | Water in Ceramics | Water Smoking | Water Solubility | Wedging | Whiteware | WooCommerce | Wood Ash Glaze | Wood Firing | WordPress | Zero3 | Zero4 | Zeta Potential

Oxide Formula

In ceramics, the chemistry of fired glazes is expressed as an oxide formula. There are direct links between the oxide chemistry and the fired physical properties.

Key phrases linking here: oxide chemistries, oxide formulas, oxide formula, oxide chemtry - Learn more

Details

Conceptually we consider fired ceramic glazes as being composed of 'oxides' (materials contribute these). Ten major oxides likely make up 99% of all base glazes (and materials we use). The oxide formula of a glaze "explains" many details about the way it fires (provided all the materials in the glaze dissolve in the melt). There is some redundancy with this term, sometimes people refer to "glaze formulas" when what they actually mean is "glaze recipes".

A formula expresses an oxide mix according to the relative numbers of molecule types (in contrast to a chemical analysis that compares them by weight). A formula is suited to analyzing and predicting properties of a fired glaze or glass because it gives us a picture of the molecular structure that is responsible for fired behavior. Since the kiln fires build these oxide molecules one-by-one into a structure, it follows that one will never fully 'understand' why a glaze fires the way it does without seeing its oxide formula.

Formulas are flexible. We can arbitrarily retotal one without affecting the relative numbers of oxide molecules. In fact, this retotaling of a formula is standard procedure to produce a Seger unity formula or a Mole% formula. With a formula, you need not worry whether there is 1 gram, 1 ton, or one billion molecules, only relative numbers matter. This is why it is allowable to express a formula showing molecule parts (e.g. 0.4 MgO; in reality this would not occur, but on paper a formula helps us compare relative numbers of oxide molecules in a ratio).

An example of a raw formula:

Fluxes
RO
Intermediates
R2O3
Glass Formers
RO2
K2O
CaO
MgO
ZnO
0.5
1.3
0.2
0.1
Al2O3 0.9 SiO2 9.0

Notice in the above that oxides are grouped into three columns: the bases, acids, and amphoterics (or simply as the RO, R2O3, and RO2 oxides; where "R" is the element combining with oxygen). Actually, the ratio of R to O is significant. The right column has the greatest oxygen component, the left has the least. Simplistically, we can view these three groups as the silica:alumina:fluxes system. This latter convention is not really correct because there are more glass builders than SiO2 , other intermediates besides Al2O3, and the RO's do more than just flux. Ancient potters referred to these three as the blood, flesh, and bones of a glaze (not a bad way to think of it).

Any formula has a formula weight, that is, the total calculated weight for that mix of molecules. Atomic weights are published in any ceramic text so it is easy to calculate the weight of each oxide. Calculating the weight of the whole is just a matter of simple addition and then increasing that weight to account to LOI.

Insight-live normally determines the unity of formulas it calculates automatically. If the RO oxides total is greater than R2O3/2 it is deemed flux unity. Otherwise it is R2O3 unity.

Related Information

Example of a whole rock chemical analysis lab report


Powdered samples were sent to the lab. The numbers shown on this report are in percentage-by-weight. That means, for example, that 15.21% of the weight of the dry powder of Alberta Slip is Al2O3. Insight-live knows material chemistries in this way (whereas desktop Insight needs them as formulas). Some non-oxide elements are quantified as parts-per-million (these amounts are not normally high enough to take into account for traditional ceramic purposes). The LOI column shows how much mechanically and chemically bound water are gassed off during firing of the sample. The total is not exactly 100 because of inherent error in the method and compounds not included in the report.

Desktop INSIGHT showing formula and analysis side-by-side


Desktop Insight was the first to enable users to compare two recipes and their formulas side-by-side and interactively update when recipe changes were made. It also enabled users to show formulas and analyses side-by-side.

Ceramic Oxide Periodic Table

All common traditional ceramic base glazes are made from only a dozen elements (plus oxygen). Materials decompose when glazes melt, sourcing these elements in oxide form. The kiln builds the glaze from these, it does not care what material sources what oxide (assuming, of course, that all materials do melt or dissolve completely into the melt to release those oxides). Each of these oxides contributes specific properties to the glass. So, you can look at a formula and make a good prediction of the properties of the fired glaze. And know what specific oxide to increase or decrease to move a property in a given direction (e.g. melting behavior, hardness, durability, thermal expansion, color, gloss, crystallization). And know about how they interact (affecting each other). This is powerful. And it is simpler than looking at glazes as recipes of hundreds of different materials (each sources multiple oxides so adjusting it affects multiple properties).

The Seger Unity Formula


Ceramic material powders can be crystalline or amorphous (or a combination) and they can be natural or man-made and they can have very different particle physics. Ceramic materials are classic case studies of the sciences of solid state physics and solid state chemistry. Mineral sources of oxides impose their own melting patterns - when one is substituted for another, to supply an oxide, a different system with its own relative chemistry is entered. An extreme example of this is sourcing Al2O3 to a glaze using calcined alumina instead of kaolin. Although the chemical formula of the glaze may remain unchanged, the fired result would be completely different. This is because very little of the alumina would dissolve into the glaze melt. At the opposite extreme, a different frit could be used to supply a set of oxides (while maintaining the overall chemistry of the glaze) and the fired result would be much more chemically predictable. Why? Because they readily release their oxides to the melt.

A limit or target glaze formula. What does this mean?


A glaze formula compared to a target formula

Recipes show us the materials in a the glaze powder (or slurry). Formulas enumerate the oxide molecules and their comparative quantities in the fired glass. Oxides construct the fired glass. The kiln de-constructs ceramic materials to get their oxides, discards the carbon, sulfur, etc. and builds the glass from the rest. There is a direct relationship between fired glaze properties (e.g. melting range, gloss, thermal expansion, hardness, durability, color response, etc) and its oxide formula. There are 8-10 oxides to know about (vs. hundreds of materials). From the formula-viewpoint materials are thus "sources-of-oxides". While there are other factors besides pure chemistry that determine how a glaze fires, none is as important. Insight-live can calculate and show the formula of a recipe, this enables comparing it side-by-side and with a target formula (or another recipe known to work as needed). Target formulas are opened using the advanced recipe search, choosing the limits batch and clicking/tapping the search button (search 'target recipe' in Insight-live help for more info).

Insight-Live comparing a glossy and matte cone 6 base glaze recipe


Insight-live is calculating the unity formula and mole% formula for the two glazes. Notice how different the formula and mole% are for each (the former compares relative numbers of molecules, the latter their weights). The predominant oxides are very different. The calculation is accurate because all materials in the recipe are linked (clickable to view to the right). Notice the Si:Al Ratio: The matte is much lower. Notice the calculated thermal expansion: The matte is much lower because of its high levels of MgO (low expansion) and low levels of KNaO (high expansion). Notice the LOI: The matte is much higher because it contains significant dolomite.

Links

Glossary Formula Weight
Glossary Ceramic Oxide
In glaze chemistry, the oxide is the basic unit of formulas and analyses. Knowledge of what materials supply an oxide and of how it affects the fired glass or glaze is a key to control.
Glossary Unity Formula
The chemistry of ceramic glazes are normally expressed as formulas. A unity formula has been retotaled to make the numbers of flux oxides total one.
Glossary Frit
Frits are used in ceramic glazes for a wide range of reasons. They are man-made glass powders of controlled chemistry with many advantages over raw materials.
Glossary Chemical Analysis
In ceramics, raw material chemistry is expressed a chemical analyses. This is in contrast to fired glaze chemistries which are expressed as oxide formulas.
Media Desktop Insight 1A - Compare Theoretical and Real-World Feldspars
While comparing a real-world and theoretical feldspar learn to enter, edit, save, normalize recipes and the materials dialog. Glaze chemistry concepts.
Media Desktop Insight 5A - Glaze Formula to Batch Calculations
Learn to use a non-unity calculation to convert a formula into a batch recipe using theoretical and real-world materials. Retotal, round-off and make a side-by-side report.
Media Substituting Materials by Weight: Why it does not work!
Wollastonite is 50:50 CaO:SiO2. So why not just substitute 40 wollastonite for 20 calcium carbonate and 20 silica? The answer will help you see reason why we make such a big deal of glaze chemistry.
Articles Glaze Chemistry Basics - Formula, Analysis, Mole%, Unity
Part of changing your viewpoint of glazes, from a collection of materials to a collection of oxides, is learning what a formula and analysis are, how conversion between the two is done and how unity and LOI impact this.
Articles How desktop INSIGHT Deals With Unity, LOI and Formula Weight
INSIGHT enables you to enter material analyses as recipes. This is a first step to inserting them into the materials database. Imposing an LOI and understanding how to set unity, and its connection with formula weight are important concepts.
Oxides KNaO - Potassium/Sodium Oxides
By Tony Hansen
Follow me on

Got a Question?

Buy me a coffee and we can talk

 



https://backup.digitalfire.com, All Rights Reserved
Privacy Policy